The workshop, held from 25 April to 4 May, was a whirlwind of creativity and collaboration. Hasan and I loved engaging with the local participants, who ranged from members of Benguela Infinite Fisheries and Harvesting Association (BIFHA), bird rangers from the Namibian Foundation for the Conservation of Seabirds (NAMCOB), local students, sign-writers, unemployed art enthusiasts, security guards, and fisherfolk. We had a total of 12 participants. We were amazed at the talent we found and the participants' dedication, as it was a voluntary initiative. Participants came early every day and stayed late. They cared about their community and had a message they wanted to share about the environment. They found the murals a great way to make their voice heard.
The workshop was meticulously organised to ensure we didn’t just work with locals on murals and educate them about the NIMPA. We aimed to bring GRID-Arendal’s experience in transforming scientific knowledge into an understandable format. We blended art, environmental awareness, and education into innovative outreach methods to hopefully have a more significant impact. Each day, local artists, students, and volunteers joined us in brainstorming, sketching, and eventually painting murals that told powerful stories of marine conservation. One mural depicted the four critically endangered seabirds: the Cape Cormorant, the African Penguin, the Bank Cormorant, and the Cape Gannet. Another mural showed how long it takes for marine litter to disappear into the ocean. A particularly striking mural highlighted the controversial statistic:
“If we don’t act now, there will be 0 Penguins left in Namibia by 2035.”